Thinking about...Indigo by RM. (a letter to namjoon)

(I wrote the original text of this on the day of the album release. Many of my thoughts are linked to my first impressions, but I have added a lot to ensure it fits the style and theme of this blog! Nonetheless, in honour of one year since the release of Indigo, here are the words I want to say to Namjoon about it!)

Dear Namjoon,

Wow…it’s been – 10 months? – since I last wrote to you? Crazy. I think, eventually, the things I was thinking about began to feel like too much to dump on your head. But when I heard you were going to release Indigo, I knew I needed to come talk to you again.

The thought of listening to your album pulled me out of bed on this cold winter morning. I struggle to get up with these late sunrises, but you gave me something to look forward to. With the way I loved ‘mono.’ and wrote so much about it, I thought it was fitting to write about your second solo work, ‘Indigo.’

‘An archive of your 20s’. It’s interesting that you release this just as you turn 30, and just as I turn 20. I think it’s always interesting to look back at how far you’ve come when you reach such a milestone. I truly love how I have seen your personality flourish since ‘mono.’ From the RM who wrote about navigating loneliness and solitude in the world to an RM who showed colours of being carefree, grounded, wise, creative, and is growing closer and closer to himself. Every song on this album felt like observing different works in an art gallery, in an exhibition about RM. So, what you thought to put across came right through! I loved it dearly and listened to it on the way to college today. I even played it while studying later!

I’ll talk about the songs now. The only problem when I wrote to you about ‘mono.’ was that I had to keep it short since I planned for you to actually take time and read it, though I had so, so much to say about it.

1. Yun (with Erykah Badu)

From the first note, I could hear that you had worked with Erykah Badu on this. It has a blues feel that I enjoyed. The first thing that struck me about the song were these lyrics – “a finger pointing to a mountain/saying it’s the place I need to go now” and “Why would you veer onto a trail from the highway”. I was shocked that it was similar to lines from a poem I had written about the year 2020 – I wrote,

“January
was like a never-ending line
looked like a measuring scale
marked by goals and not numbers.
in February
the line joined another to form a path
that led to a lofty mountain in the distance.”

I won’t write the rest here now, but it surprised me how similar this thought was across both our experiences and writings.

Besides this, the whole premise of the song was beautiful: ‘You gotta be a human before you do some art’. It reminds me of ‘ON’s’ lyrics – “you gotta go insane to stay sane” – throwing yourself into art to feel level-headed amongst the madness of the world. And yet, your song took a different spin on this – it could mean, “gotta be human,” grounded and aware, to express your feelings clearly and articulately through art. However, being human before you do art could also mean that “you gotta go insane” – being passionate through your art – “to stay sane”, or human – making art passionately is inherently what makes us human. I really love the way this song deals with trying to find your purpose and direction through the art you make, by taking inspiration from an artist that you look up to so greatly. You wrestle with the difficulties of going solo after years beside a team and then accept that it’s always been in you to do something different, unconventional and impactful – much like making a song based entirely on what it means to make art, drawing on the works of your favourite painter. This song felt like listening to a painting – it’s truly masterful and I’ve never heard anything written like this in my life!

2. Still Life (with Anderson .Paak)

I wrote so much about Yun and it wasn’t even my favourite song on the album! Okay, Still Life – it was a really fun number that was gentle and energising to listen to. I love the paradox of ‘Still Life’ being something that ‘carries on’, and embodying that in the way you live. My mother, who paints still life in the traditional Dutch technique, told me something interesting about it too. She said that still-life paintings came about with the rise of the merchant class, and they essentially portrayed their rich and decadent lifestyles. Each item portrayed in a still life has meaning – these meanings often relate to the fleeting nature of life, of wealth, of such decadence. So, in a way, still life is really something that is always “moving” and going forward. Though it’s “still”, capturing a specific setting or moment, it lets that moment carry on forever. But it also shows how fleeting every moment is through the objects it portrays. I wonder if you knew this, but when my mother told me this, I immediately thought about your song!

I’m thinking about the multiple ways you interpreted the words ‘still life’ in these lyrics. You describe yourself as a ‘still life’ as above – a painting, an artwork on display to others in all its grandeur as a famous member of BTS. But also, you’re “still life (still alive)” – your life continues to move and change – you “can’t be locked in the frame” and are always moving, changing and flowing with where life takes you. Where you also say “I calmly live errtime,” it made me think that the word ‘still life’ actually comes from the Dutch ‘stilleven,’ which literally means something like ‘quiet life,’ ‘still (as in silent, calm) life’ – despite everything you show off, you still try to find moments of calmness and stillness in an ever-changing life through your love for art and knowledge. As you end the verses with the lyrics “look at my stain,” I hear once again how you want to make an impact through your art – while you may change, your personality and life may change, the impact that your art has will be constant, much like a still life. Another incredibly insightful song made with beautiful metaphors from the art you are so passionate about!

3. All Day (with Tablo)

Can I first say that it warmed my heart that you worked with Tablo!! I know how you’ve looked up to him and it was beautiful to see you both come together – your voices mesh so well! This was another energising hip-hop number that I enjoyed. I particularly loved hearing Still Life transition into All Day – the similar rhythms and melodies at the beginning made it an excellent choice to put them one after another on the album.

This song sounds fun and energetic and always has me dancing along, but the lyrics are truly very insightful. I really enjoyed your take on the algorithm and information age – “Fuck the AI, fuck the algorithm/I need to think, fuck all the rhythm/My biorhythm gives me no time to think…” The poetry of these lyrics is amazing and wonderfully captures the repetitive way that AI and algorithms feed us information and content, preventing us from thinking on our own. Thus, we really are fighting to live life authentically and find our true selves when we’re surrounded by machines trying to tell us what to think. I love how these first few tracks focus on retaining your humanity, purpose and drive when the world is against you . In ‘Yun,’ you focus on the importance of ‘being human till the death of you’, in ‘Still Life,’ on moving forward and not being locked into a single idea of yourself, and with ‘All Day,’ on the importance of dreaming, living and having your own perspective in an age where you’re constantly fed information, beliefs and thoughts. It was really a different perspective on things and I enjoyed listening to this song!

4. Forg_tful (with Kim Sawol)

I really liked this song a lot. It was one of my favourites with the gentle guitar melody and I felt so comforted by your wonderful singing voice! The song conveys an anxious sadness beautifully. I really like this lyric – “I’m sorry, I have so many thoughts/I don’t have enough memory.” The double metaphor between forgetting regular things when your mind is too cluttered with worries, and being a phone or laptop that’s running out of storage because it’s filled with too many things is wonderful. Trying to go through the motions when you’re struggling can make you feel much like you’re a machine running on empty. “With numerous thorns/The morning that comes and goes/In my own way/I am anesthetising myself…” I loved how this captures the feeling of your repeating thoughts taking over days and nights, such that you feel numb to everything and days pass by you. The song reminds me of a sudden moment of quiet contemplation – it feels like suddenly finding yourself alone in an empty field, and realising that the constant slew of your thoughts has made you numb, forgetful, and bare, much like this song’s simple accompaniment and melodies.

5. Closer (with Paul Blanco and Mahalia)
6. Change Pt. 2

Haha, it’s late and I’m getting tired now. But I really do want to mention each song.

I really enjoyed listening to Closer – it presented a completely different façade of your music that I hadn’t heard before. I really enjoyed listening to a painful love song from you – something I had not heard in a while! The song conveys a very deep sense of yearning and beautifully shows the feeling of parting from someone. The repetitive rhythms in your verses at the beginning convey frustration and pain. Meanwhile, Paul Blanco’s verse completely changes up the vibe of the song, creating a suave tone which feels like reminiscing on intimate moments spent with someone you lost. The outro, meanwhile, felt like a resigned acceptance of the situation – you’ve truly lost this person, there’s no “take two” and you force yourself to let them go despite how painful it is.

Change Pt.2 was a song with a very cool vibe! It grew on me after I listened to it a few times. The saw synth creates a very raw and angry noise when you sing “Fuck that wiki, fuck all those infos” and describe how people are stuck on old ideas of you and don’t realise you have changed. The grating sound of the saw synth matches the anger you’re conveying to people who don’t see your growth. But suddenly, after the second chorus, “things change people change” I hear blues chords on piano – it’s a refreshing and gentler sound, followed by “you gotta admit it/don’t you get it still/someday a great grief will take over you.” Your anger seems to change into a calm, nonchalant acceptance that people who stick with the old versions of you and don’t see your growth will face consequences. Those who treat you wrong will get their karma. All you can do is move on and accept that you will keep changing in the future. I truly loved how you used the music to convey these thoughts.

7. Lonely

This was my favourite song on the album! I think writing about loneliness is just so universal. As someone who has felt lonely a lot, I connected with the song easily.

The guitar and simple melody and beats were pleasing to my ears. I think this song paints a different picture of loneliness compared to other songs you have written about it. Songs like ‘uhgood’ sounded dark and grey, like a deep sadness. But ‘Lonely’ sounds blue, it contains sadness but also frustration and a wish for change. While the other songs seemed to skirt around the feeling of loneliness, (“feeling out place hurts so much/unless you experience it you won’t know it”) and approached it cautiously, as though not wanting to accept it, ‘Lonely’ screams it out loud and hits the heart instantly (“I’m fuckin’ lonely/somebody love me”). Something about the sound of the song gave off the vibes of a city of tall buildings passing by you in a car – you watch life pass by while you feel lonely and too small amongst the largeness of a foreign place.

I’m not sure when you wrote this among the years you’ve archived. But I do hope this feeling has passed you by. I wonder where you wrote this and which city inspired it. You helped me greatly during my times of loneliness – I truly hope that we, or anyone at all – can do the same as you did for me. I cherished this song since I first connected with your music over this feeling.

8. Hectic (with Colde)

I was most excited to see you working with Colde!! You introduced me to his music when you recommended his song ‘Poem (Shhh)’, and since then I have grown to really appreciate his music. I really liked this song too and I think your voice fits beautifully with Colde’s. You are both two of my favourite rappers/singers, so it was a collaboration I really awaited.

I thought the introductory 7 seconds of the song truly captured its essence. The tempo of the beats at the beginning seems to be getting faster, but really, their tempo is the same. The only thing that changes is the volume and the fade-in of the cymbal. I feel like that completely fits the theme of a stressful and hectic day. It specifically portrays the feeling of being stressed or burnt out because of familiarity, because of doing the same thing again and again. It feels like everything is speeding up around you and you can’t keep up. But truly nothing’s changed – it’s the over-familiarity and stickiness of your routine which grows louder and seems to make everything so stressful. It’s interesting because you speak of living in Seoul and your busy schedules and life in this song and convey it so simply in just 7 seconds.

I see a lot more frustration in the lyrics from Tracks 4/5. It was interesting to listen to this and think about how hectic city life gets. People often have long days that begin very early and end very late at night, with long commutes and busy work hours – ‘endless chasing’ to make their living that seems romantic at first in a big city, but really ends up being quite tiring. And yet, people in these big cities still have a strange attachment to the place they live in and the life they have, despite how crazily tiring it is – “we still love and hate this city”. I think you both captured this feeling beautifully and I was so happy to listen to how a collaboration between two of my favourite artists turned out!

9. Wild Flower (with youjeen)

This song broke my heart, honestly. I can barely bring myself to write about it because it’s so emotional and I’m not sure what I could say when you’ve expressed the deepest feelings of your heart so wonderfully to us. I remember listening to you during the Festa Dinner and I was pained because even then, I could sense the exhaustion you were feeling. But with this, you opened your heart up to us, and I truly hope your time away will give you some respite.

Your voice is open and filled with raw emotion as your describe how your passion, “yearning for flames” truly started to burn and you now wish for a “barren field.” A place where fame is not blooming, exploding, stimulating you constantly like a wild flower field, while you desperately try to figure out your next steps in a world that has its eyes on you. I love how you twist the lines “where’s your soul, where’s your dream” from your song Persona. Persona comments on the human sense of identity and how learning who you truly are is something you go through all your life, and thus you never truly know your “soul” or “dream” which constantly changes. However, Wild Flower uses these lines in a much more emotional way – asking them as serious questions with a sense of, “when did I lose my passion?” where did my soul and my love for my dreams go in the midst of achieving them?” Youjeen’s emotional voice on the chorus only adds to the beauty of this song and it truly reaches straight to the heart. I know you feel like you cannot go on and are losing touch, and in those moments, stopping is the best you can do. The fact that you continued with such vigour despite these feelings, for our sake, is so admirable, and I truly hope you know that we have been proud of you with every choice you have made.

I cannot convey how much I do think that whatever you did these past two years was impactful and that truly, I do not know what my life would be without you all. I have said it many times, and I will say it again, but you are indeed so, so impactful. You are not speaking silence at all. I hope you are able to rediscover your purpose, dreams, destination and happiness. We will wait for you till then and will always support what you do. You don’t have to be like others to us, we just want you to show us you, however you choose to do that. Thank you for sharing these very personal emotions with us. We will wait in the purple ocean for your return from the flower field.

10. No. 2 (with parkjiyoon)

This song felt like a direct opposite to Wild Flower – the opening notes are similar, but the message is completely different. With the previous one, you look back on the past, wondering where your passion and dreams went and how to move forward through the exhaustion. With No.2, you remind yourself that through everything, you’ve always done your best with what you know and thus it’s best to not look back at past mistakes constantly when life “remains like a bonus” to be lived right before you.

The first verse is unconventional, saying “I smile/that I ain’t gotta prove myself/That I ain’t the one/That I ain’t the shit” – usually these are compliments, but it seems you take the pressure off yourself, saying that it’s okay if you’re not perfect, if you’re not all that, so long as you learn, pick yourself up and move forward, living life just as it comes. This song feels so gentle, almost like a hug and a pat on the head. This was such a hopeful and reassuring ending to the album – a beautiful message about accepting yourself and all your past mistakes. I enjoyed the vibe of the song and it was definitely one of my favourites!


Overall, thank you for Indigo. I really enjoyed it and have been listening to it again and again in order, like you recommended. It flows beautifully, showing the beliefs, then the feelings, and lastly, the hopes of Namjoon in his twenties. You created it masterfully, with some very talented creators!

I hope you’re resting a bit after the album release. I hope you know we are really enjoying it. I loved seeing your thoughts about it on Weverse – reading a long letter from you always cheers me up. I hope you share some behind stories soon for the album – I would really love to hear more about it!

As always, I love you and miss you. I hope you’re staying warm and healthy in the winter.

Lots of love x


References:

Indigo Album English Translations

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